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Post-Production Intelligence

Your editors start cutting.
Not watching.

AI that analyses what the camera sees — composition, framing, emotional arc, hook strength — and delivers structured intelligence directly into your Avid bins.

1.5-2 days
Saved per episode
9
Analysis dimensions
11
ALE metadata columns
6
NLE formats supported

On most productions, editors spend the first day or two watching rushes before they can cut anything. Not because they're slow. Because there's no other way to understand what you have.

That orientation work is not editing. It's data processing. It costs two days per episode, every project, on every production that runs it.

We built a different approach.

We analyse what the camera sees.

Not transcript analysis. Visual and aural intelligence extracted from the footage itself.

Visual Composition

Shot scale, framing, rule of thirds, visual complexity

Camera Movement

Static, pan, track, handheld intensity classification

Face and Eye Contact

Detection, position, gaze direction, coverage percentage

Hook Analysis

Opening strength scoring, first-frame impact, pattern interrupts

Audio Intelligence

Clarity, noise floor, emotional register, speech pace

Emotional Arc

Sentiment mapping across the clip timeline with valence tracking

Engagement Prediction

Completion rate indicators, replay potential, drop-off points

Copy and Script Analysis

Spoken content structure, persuasion framework, key phrases

150 Classification Tags

12 categories: genre, mood, style, narrative structure, use case

The intelligence lands where you work.

From rushes to populated Avid bins in minutes, not days.

STEP 01

Submit Footage

Upload rushes or submit via URL. The pipeline accepts any production format.

STEP 02

Cloud Analysis

The Decode Engine processes every clip across nine dimensions — visual, aural, structural, and predictive.

STEP 03

Metadata in Your Bins

An ALE file with 11 custom metadata columns imports directly to Avid. The columns appear in the bin the same way any logged metadata does — except it took minutes to generate, not days.

No new software for your editors to learn. No change to your Avid project structure. Additional export formats available: AAF, EDL, FCPXML, OTIO, AVB — for non-Avid workflows.

What this looks like in practice.

1.5-2 days
Typical reduction in orientation time per episode
9 dimensions
Visual, aural, structural, predictive analysis
11 columns
ALE metadata columns, ready-to-import, no manual logging

On a 10-episode series at broadcast editorial rates, that is approximately £10,000-£20,000 in recovered editorial time per series.

The editorial timeline, before and after.

Without
X
Day 1-2:Screening and logging rushes
X
Day 3:Paper cut and rough assembly
X
Day 4+:Creative editing begins

Cost: £1,500-£2,500 in orientation work per episode. Intelligence lives in a spreadsheet or the editor's head.

With the platform
Before Day 1:Analysis runs overnight
Morning:Metadata populated in Avid bins
Day 1:Creative editing begins

The editor is cutting by mid-morning. Analysis persists in the bin permanently — searchable six months later when a re-edit is commissioned.

Works with your existing pipeline.

Avid is the primary integration with deep bin metadata support. All major NLEs supported via standard interchange formats.

Avid Media Composer

Primary
ALE, AAF, AVB
Deep metadata — 11 custom bin columns

DaVinci Resolve

OTIO, EDL, FCPXML
File interchange

Final Cut Pro

FCPXML
File interchange

Premiere Pro

EDL, XML
File interchange

Built for broadcast.

Broadcast Post-Production

Factual, documentary, drama series. Reduce orientation time across your production slate.

Post-Production Facilities

Multi-project throughput with consistent metadata standards across all your bays.

Production Companies

Independent documentary, branded content, advertising. Intelligence that persists across the life of the project.

Common Questions

Built by producers, not just engineers.

17,000+
Lines of production code
6
NLE interchange formats
4
Integrated modules

We come from production. We built what we always wanted as producers — AI that reads footage the way a skilled assistant would, then puts that intelligence exactly where you need it.

We'd rather show you on your footage than talk about ours.

Run the platform on one episode. Real rushes. Your Avid setup. Compare what your editors receive with what they would have had to build themselves.

Tell us your production type, typical shooting ratio, and current edit setup. We respond within 24 hours.